333

omne trium perfectum

(everything perfect comes in threes)


The Triatrium:



G#/Af


















  G 

  A  
















 Gf




 A#















F


B
















E chasm C


The above model is the Triatrium (In circular form). The circular form is needed to reveal the location of chasm which can only be thelocated below the G#/Af and between the E and F. This chasm corresponds to The Red Zone which will be explained later. The chasm cannot be crossed. Any movement (harmony, chords, intervals) between both sides can only pass thru the G#/Af. There is no chronology in the Triatrium. (More on that later.)


The Triatrium as found on the keyboard, is not a chord nor a scale. The Triatrium does not begin or end on a key, rather, it is centralized and symmetrical. It consists of 3 groups of 3, but not in any chronology. The following diagrams are linear and do not show the chasm (red zone).

   E      F    F#/Gf    G    G#/Af    A    A#/Bf    B       C  

I have coloured the three groupings to show the symmetry, and lack of chronology. The reason is is not chronological is because the starting point is the centre, and we can only branch out in both directions at the same time, as this is a symmetry. The E-F-F# cannot be counted as the first group and more than the A#/Bf-B-C can, because the starting point is the centre. In the context of the Triatrium such letter-names of keys are misapplied because they denote chronology, in which in this case is 1 to 7. Also misapplied are the numbers 1-2-3-4-5-6-7-8-9 in relation to the Triatrium because within the triatrium there are 3 groups of 3, and no number higher than 3.

There are three groups, but the groups themselves are not numbered. Within the span of the Triatrium, there are 3 black keys and 6 white keys. Only 9 keys can be counted because (in ESoteric numerology), only 9 numbers exist, therefore only 9 notes can be used. Even when we study intervals, they always add to 9. For example, if we have a -6th going one way, we have a +3d going the other, a -7th one way and a +2d the other, a +7th one way and a -2d the other, an augmented 4th one way and a diminished 5th the other. etc. This despite the fact that there are 12 notes. There is no 3-6-9 here. The 3-6-9 exists in EXoteric numerology, but does not exist in ESoteric numerology, whereas the Triatrium exists in ESoteric numerology, but not in EXoteric numerology. There is symmetry in the central group of 3: white-black-white. The symmetry in the outside trium occur when comparing them: white-white-black ... black-white-white

There are two places we can start from in creating three groups of three in symmetry, the other one being D. One difference between the two is that when using the D as the central key is that there are 4 black keys and 5 white keys, hence no multiples of 3, and further, when using D as the starting point, there are no grouping of 3 white or black keys. Only the G#/Af contains a group of 3 keys.

   E      F    F#/Gf    G    G#/Af    A    A#/Bf    B       C  


3 3 3

There are 3 white keys on each side, with the three black keys in the centre. The three groups are (not to be understood chronologically): E-F-F#/Gf ... G-G#/Af-A ... A#/Bf-B-C.  We can also see 3 groups of 3 as whites and blacks:


   E      F    F#/Gf    G    G#/Af    A    A#/Bf    B       C  

   <<<  3 white    >>>         <<<  3 white  >>>    

<<<     3   black      >>>

In both cases there is symmetry, but symmetry is not to be confused with polarity. Symmetry avoids and prevents the application of chronology. My use of the conventional key names is for reference purposes only. If we count the positions of the black keys we get 6 both ways, as 1+2+3=6:

   F#
   G  
G#/Af
   A  
  Bf  
1
>>>
2
>>>
3
3
<<<
2
<<<
1

And if we count all keys withing the cluster of 3 black keys we get also get 6 both ways (1+2+3+4+5=15, then 1+5=6):

   F#
   G  
G#/Af
   A  
  Bf  
1
2
3
4
5
5
4
3
2
1

If we count the black keys from the ends of the triatrium, we also get 6 (3+5+7=15, then 1+5=6):

  1      2 
 
  4    5
  6 
  7 
   8 
  9 
E
F
F#
G
 G#
A
Bf
B
C










C
B
Bf
A
Af
G
Gf
F
E
9
8
7
6
5
4
3
2
1

If we count the positions of the white keys from each end we get 3 both ways (1+2+4+6+8+9=30). Since zero has no value, it is dropped, which is the standard practice in esoteric numerology. (Zero is not a number.) Again I point out that there is no chronology in the triatrium, and that in the triatrium there are only 3 numbers which are 1-2-3, hence 4 thru 9 are not found nor exist in the triatrium, hence my usage in the above illustrations of chronology is for demonstration purposes only. I need also to restate here that even my usage of the 1-2-3 in the Triatrium does not denote a chronology because in ther spiritual realm there is no time. So we cannot look at 1-2-3 as steps horizontally (in sequence), but rather see them vertically as one unified event (not eventS). Hence again stressing that 3 is unity.


3 - 6 - 9

3 is the Divine Number. 9 is composed of three groups of three. It has been said "If you want to understand the secrets of the (exoteric) universe, then understand the secrets of 3-6-9." While this is true, it is not the whole story. 3-6-9 cannot be properly understood as such, but only as 3 groups of 3: 3 being the head of the 1-2-3 group, 6 being the head of the 4-5-6 group, and 9 being the head of the 789 group. These three groups cannot be properly understood except as a three-fold process or aspects, and in this way the three numbers of each trium cannot be broken up. They are units of three as a process, yet operate or function in conjunction with the three stage processes or aspects of the other two groups of three. I use the term process or stages here not in a sense of linear time, but more to illustrate that they are integral to each other. 1+2+3 add to 6, as does 4+5+6=15, then 1+5=6, 7+8+9=24, then 2+4=6. Unfortunately 666 gets a bad name from misinformed Christian teaching, The Revelation 13:18 in the King James says "Let him that hath understanding count the number of the beast: for it is the number of a man, and his number is six hundred threescore and six." 666 is the number of man or mankind (anthropos), not "a" man. (There is no article "a" found in the underlying Greek, even tho it does appear in the English). There is nothing malevolant about 666. 666 is all thumbs up. Of the three triplets: 333, 666, 999, the 333 and 999 consist of odd numbers but the 666 of even numbers. 666 can be divided in half with whole numbers, but the 333 and 999 cannot.


Of the 1st of the groups of 3 (1-2-3), the numbers add 6, then of the 2d group the numbers add to 15 (6), then of the 3d group the numbers add to 24 (6). There are five numbers that are being used in the equasions that I have just mentioned: 1-2-4-5-6 (but no 3). They add to 9 (18: 1+8=9). Of the non present numbers: 3-7-8-9 they also add to 9 ( 27: 2+7=9). It is interesting that both the 3 and 9 are not found. Each sum is 9 apart: 6 is 9 away from 15, then 24 is 9 away from 15.  The 3-6-9 is the EXoteric understanding of numbers which applies to the material realm, wheras the triatrium (3-3-3) is the ESoteric understanding of numbers which applies to the spiritual realm. One theoretical problem with exoteric numbers is that of neutrlization, as for example, if there are 5 apples on the table, you can say that there are 5 apples on the table. But if there are 5 (positive) apples then there must be, of necessity, also 5 negative apples, and since these cancel each other out, there are theoretically no apples on the table. It is interesting that in Buddhism it is tot that this world is an illusion (maya). EXoteric numerology is quantitative, whereas ESoteric numerology is qualitative. 


3 - 3 - 3

We can also look at numbers not as a chronology, but rather as the number 3 with three aspects of each of the 3.  Pythagoras was wrong when he stated that 1 is the number of God and Unity. This cannot be because at the first stage of the 1-2-3 process there is nothing to unify. 2 or more objects are needed to bring them together into a unity. It is the 3 that is the unity, not the 1. In the spiritual realm, only 3 numbers exist, with thee aspects of those 3 numbers. In the spiritual realm 3 is the core of everything. In the material realm where there are 9 numbers, each of those numbers has a positive and negative form, but in the spiritual realm there is no polarity of numbers. In the spiritual realm 1 or 2 or 3 are not negative or positive, because there is nothing material to apply the criteria of polarity to, and since the 1-2-3 process is not linear or chronological, but is rather vertical (is one simultaneous event outside of time), the concept of negaive or positive has no meaning, and does not and cannot exist functionally. 


3

*
* *
*** *** ***


In the material realm there is of necessity polarity, and this is because everything is built upon hydrogen, which is a polarity (one proton and one electron ... 2 parts). The reason why hydrogen typifies the material realm is because all molecules, no matter how complex, have one proton and one electron as there core. Nothing can be reduced lower than hydrogen without disintegrating. Groups like the Jehovah's Witnesses who teach that there will be a utopia on earth are failing to understand the impossibility of this idea because this material world must of necessity contain both positive and negative, good and bad, otherwise it cannot exist in the first place, because this material world is at its core hydrogen, which is a polarity.


3 is the core of everything

For God to have all knowledge, God must experience all things. True knowledge comes from experience. So who is it that experiences all things? It is you and me, and everyone else who has ever lived or will live. By default then, it is you and me who are playing the role of God. If a man is dying of thirst and you give him a jug of water, you have given him life and are in that sense are to him as God.


I have created an illustration to share my theory about the number 3. It is based on the ancient Egyptian understanding of Amun, who was an Egyptian deity who was considered to be the hidden part of God. Imagine a border, or bubble, or a protected area where Amun abides. Keep in mind that altho I am presenting this as a chronology, in the spiritual realm time does not exist. I am using some terms here that I invented to create this illustration:

The Need:   The need for Knowledge, but this need as realized while inside the domain of Amun.

The Idea: This is what The Need transitions to immediately after it breaks thru the area or realm of Amun

The Expanse: This is the vast area, in fact all of the area outside of the realm of Amun. Amun realizing that it needs all nnowledge, has a need to have this need fulfilled (The Need). The Need is not a polarity, and in fact there is no polarity within the realm of Amun, (in the spiritual realm) The Need then penetrates the (imaginary) shell on Amun and immediately on the other side of this shell The Need becomes a polarity, and transitions into The Idea. On the other side of the shell is The Expanse which is latently a positive charge. The Expanse only becomes positive after The Idea enters it. The Idea can only be a negative charge because it moves, and The Expanse can only be a positive charge because it is receiving The Idea. A receptor site cannot move. Just as in human sexuality the male part moves but the female part does not. This is why in all mythologies involving a sacred couple and a child, the child is always male ... the male moves toward the female.

Man: What The Idea becomes after a polarity is formed from The Idea.


After The Idea and The Expanse have mated, man is produced, and it is man who experiences all things. The creation (or re-creation) of man is not reincarnation, and shd not be understood in this way. It is simply having an adequate vollume of people who are able to experience all situations, both good and bad and in between, in order for all knowledge to be obtained. Then after The Need has been satisfied and The Idea has run its course and finished the job, it is time to return to the realm of Amun with this Knowledge. The Idea transitions into The Knowledge after it has completed its task. Then after The Knowledge (formerly The Idea) penetrates thru (back into) the realm of Amun and leaves The Expanse, then The Expanse ceases to be a positive charge. A positive charge cannot exist without the presence of a negative charge. The negative charge of The Idea ceases after the shell of Amun is penetrated and the need for Knowledge is fulfilled. This illustration is intended to provide an insight into the significance of the number 3 and that our very existence is based on it. Here is a summary of the three stages:

1) All Knowledge is needed for God to be God. God is incomplete. This is 1, the starting point, but not unity.

2) Man is created to aquire all knowledge (God becomes man). The number 2 here denotes a polarity.

3) The Knowledge is obtained, and now the cycle is completed. This is The Fulfillment. This is the unity of the number 3. God is complete.

*************************************************************************

Using the model of

1 2
3
123
456
789

The aspects of 123 (in the first line: above, in bold orange font ... 1. The Need leaving the realm of Amun), 2. The acquiring of The Knowledge, and 3. The return of The Knowledge into the realm of Amun.


For now I will focuss on trium 2 which is elaborated on by the 456 below it. Again, this is the aquisition of The Knowledge. 4 represents the Earth. In ancient esoterism we find the 4 elements of Earth, Air, Water, Fire. There are 4 suits in the Playing cards as well as in the Major Arcana. What keeps man bound to this Earth? It is the need for the aquisition of knowledge. 4 in a two dimensionsal form is a square. There are 4 directions: North, East, West, South, which are good directions of travel for a news reporter. 4 in a three dimensional form is a cube, which has 6 sides. (north, east, west, south, up, down) 6 represents man (anthropos). 5 is the middle number and so can represent mediation, moderation, or a bridge between two sides. 5 is the middle man who aquires the Knowledge. Now you may say that I have just finished explaining that man is represented by 6,and that now I am contradicting myself, but I am not. Each of these three groups of threes (trium) are just that: groups, and function as groups: a number within that group cannot function (nor exist) without the other members of that group. Each of the 3 numbers refers to that group so that 6 refers to the 6 group. The 5 is the middle number of that group, and is the bridge between The Need and The Fulfillment of the task. Not only is man in the middle between the 4 and 6, but the 6 trium is in the middle between the 3 and 9 trium.


Everything has as its basis number, and It has been said that music is number in time, geometry is number in space, and astrology is number in space and time.


The 7-8-9: In many various myths we find the 7 and 12 with the 7 planets (sometimes including the sun which is not a planet, and including or excluding the moon. The 7 in mythologies varies in its constituents of 7 planets which may or may not include the moon, or sun (not a planet). The 8 laid on its side represents a repeating cycle.


We have the 12 constellations of the zodiac, but how what does 12 have to do with the 7-8-9? 12 is not 9. So what is the solution? Enter the tetragrammaton. The tetragrammaton is the YHVH (Yod-Heh-Vav-Heh) which is one of the sacred Hebrew names for God. Actually the Hebrew sacred name of God is not Hebrew in origin, nor is the Hebrew language Hebrew, but that is another subject. The tetragrammaton is a mathematical formula, and hidden within this formula is the code for properly appying the formula. The tetragrammaton helps us to understand the Major Arcana (or Trump cards) of the Tarot. The YHVH properly understood and applied leaves us with 9, not 12. In music we have 9 intervals even tho there are 12 notes. This is the proportion of 3/4 and helps us to understand some of the greatest mysteries of music including the diminished 7th minor chord which has four minor 3ds, but one of those falls off to the wayside and we are remaining with 3 minor 3ds (3 groups of 3). When a woman is pregnant her gestation period is 9 months, even tho there are 12 months in the year. Likewise 3 constellations simply fall to the wayside as they are not needed. In mythologies involving the 7 "planets" and 12 constellations, there can be an implied sense of movement ascending thru them, and sometimes this includes the teaching of reincarnation (which I do not agree with). However the idea of movement does correspond to my theory of the return back to Amun. We can only break thru the repeating cycle of the 8 and getting past Chronos (represented by Saturn) by obtaining the Knowledge. In music we have the dominished 7th minor chord which contains four minor 3ds, one of these falls by the wayside, which corresponds to the distance between the relative mapor and minor, and is the location of the entry point of The Idea into this Earthly abode and also the exit point of The Knowledge from this Earthly abode. This narrow band of possible entry and exit points is contained in what I came to call The Red Zone, which coresponds to the 3 zodiacal houses that are not part of the 12 constellations. Here now I am using the number 9 within the 9 trium in the context of the red zone to relate its significance to the "trip" that The Knowledge makes back into the realm of Amun. Getting back to the diminished 7th minor chord, if it were to remain with four minor 3ds, it wd span 1 octave which is 8 white keys, which comes back to the number 8, from where we can repeat another chord (cycle), and according to the formula of the tetragrammaton, another chord WILL start on the octave. (unless that cycle is broken, which is the key to unravelling the mystery of the tetragrammaton.)

The second number (2 - 5 - 8) of each group of 3 are related to the other second numbers in theme in that 2 represents division, 5 man (in the middle), and 8 being the repeating cycle. Each of these three numbers needs a resolution. The resolution can only be obtained by the involvement of all three groups.


Now let me return to the theme of 1 - 2 - 3,  but this time as it occurs in the first trium. Up to now I have looked at the overall concept of 1 - 2 - 3 as the overall concept encompassing all three groups of 3, but now I want to look at the 1 - 2 - 3 in the first group. I have left this to the last to avoid confusion. Just as the third group of 3 covers the return to Amun after the Knowledge was aquired, so the first group of 3 is the coming to earth (or creation of earth). We can in one sense also use the terms descent and ascent. The 1 in the first group refers to The Need, the 2 refers to The Idea, and the 3 refers to the creation of man, which is the spiritual need now manifest in a pohysical or human form (subject to decay and death). This is the transition of form. We can also say that the 1 is no polarity, the 2 is polarity, and the 3 is polarity plus Knowledge.

Likewise the 7 - 8 - 9 is the "return trip". The reverse transitional process is the point at which all Knowledge is aquired. The final stage (9) is the re-enetring back into the realm or domain of Amun, which is also the end of polarity as a manifestation. The model that I used at the start of this section:

1
2
3
123
456
789

is incorrect, but was used to show it as if is was chronological in order to get the points accross. In the esoteric numerology the above diagram cannot work because there are only 3 numbers that exist. A better diagram is found below. But It needs to be kept in mind that by using the 123 designations in the lower line still does not mean a chronology.

1
2
3
123
123
123
 
The proper diagram wd be:

*
*
*
***
***
***

Which does not denote a chronology nor a starting or ending point (which wd still imply a chronology). The outside groups of 3 occurr outside of time, but the middle group occurs in time.


333 Hz

For the purpose of my theory in this section, please forget everything you know about the keyboard and conventional tuning pitches and the application of the keyboard to music as we have been tot in music school. This is a different paradym here. Look at the keyboard and the frequency of 333 Hz now in a fresh way and lay aside all previous held understandings about music.

Given the significance of the 333, it is reasonable to project that there must be an importance to the frequency of 333 Hz. And if this is the case, then there is also a significance to the wavelength of this frequency. The frequency and wavelength are inverse of each other,
then (if my theory is correct) at some point there is a magical crossing point. This wavelength cannot be measures in feet, inches, or centimeteres, as these are arbitrary units of measure, and as the numbers are important, there is therefor no numerical correlation (esoterically) between the frequency and wavelength if we are using conventional ways (centimeters or inches) to measure the wavelength. So then what, if any, unit of measure can be used to properly measure the wavelength? One option is to use the wavelength of 333 Hz as the new standard measue of the wavelenth (not a new standard of a tuning pitch) I am proposing that the wavelength of 333 Hz become the wavelength unit (in the esoteric understanding of music), then frequencies above or below this are based on this unit. Remember that number is the basis of music.

The frequency of 333 Hz existed long before the keyboard and its layout was created, so we can confidently use 333 Hz affixed to a precise key (I suggest G#/Af since it is in the centre of the group of 3 black keys, and is in the centre of the middle group of 3 keys (2 whites and one black), and is in the centre of all 9 keys. I welcome your feedback, and ideas regarding this or anything else on this website. Going deeper then, is the relationship and interplay between the various frequencies and the spiritual implications of it, as far as intervals and chords are concerned, as music is based on number and after we understand the spiritual or espteric meaning of numbers, we can then better understand the interplay between frequencied (notes). If my theory is correct, then here is a further reason why our understanding of 333 Hz is crucial as it then becomes the basis of the foregoing.  It seems to me that here may be something deeper here waiting to be discovered.


more discoveries are awaiting
Much depth of meaning in the Triatrium is yet to be discovered. I am referring here to the interplay of the wavelengths/frequencies as well as the significance of intervals and chords being played on different keys, as every interval and chord has different characteristics depending in which key it is played in, and this is in relationship of the white keys and black keys (as well as the frequencies and wavelengths involved.) The layout of the black and white keys is not arbitrary or by chance, but it is a mathematical game board so to speak of which all mathematical possibilities can be found, and this is because music is the expression of number. The third aspect is the result of all that that interplay.

 333 (at) triatrium (dot) com

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